…and things were well again…

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Ayye I was featured on ARCADEMI!

(click the photo)

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ok bool

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posters coming soon!

best albums of 2014 so far… 

1

riff raff – neon icon

Yumi_Zouma_EP

yumi zouma – ep

mathew lee cothran – failure II

tom vek – luck

sd laika – that’s harakiri

evian christ – waterfalls ep

tobacco – ultima II massage

freddie gibbs & madlib – piñata

“Yes! Ah, I was making a racecar movie [Quattro Noza / Streets of Legend] in Los Angeles one year, back in 2000, 2002, and  we befriended this Filipino race car gang, and we were going 140 miles an hour, uh…illegally, on the streets of LA and I was hanging out the window with the camera for like all these years and eventually I started shooting with like 14 cameras at a time. We would be able to shoot for an hour and have to change tapes, and I was in a Home Depot parking lot at like 11 o’clock at night and I heard this voice say, “Hey, amigo.”  

“I looked up and there’s this Hispanic guy. He’s like 5 feet tall, covered in sweat. He had a hat on that was dripping and the brim had fallen down in his face. His eyes were wide, and he’s dripping sweat and his shirt was sopping wet, this white shirt started turning yellow by the bottom and was kind of orange. And he lifted up his shirt and he had this knife wound, and it was festering and [things] were coming out. And he said, “can you help me?” And I say, “Yes, with everything I got.” and I gave him all my pocket change.

“I thought to myself, “Is that the kind of help this guy just asked me for, or did he need an ambulance or something?

At that moment, a voice interrupts as a hand grasps Mr. Cianfrance’s arm, “I’m sorry, we need to go inside.” The polite but firm statement came from an austere, black suited member of the PSI security detail assigned to the event, ushering the director on.

He condenses the rest, “So I went to look for him and he had disappeared. So, I wrote this…

…to remember to be responsible.”

-Derek Cianfrance

 

miss u publichd

film posters by Wolfgang Schmidt

 





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Happy April Fools’ Day!


The Seventh Continent

8/10

I recently watched Dir. Michael Haneke’s debut film, which really proves that Haneke has always been a perfectionist when it comes to the look of his films. This film has his signature formulaic camerawork, you can tell he takes a great deal of time on the composition of every shot. The story alone is a bit confusing and slow at times but overall the film comes together quite nice by the end. I ❤ it. 

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Imagine just how nauseating this probably was for film goers in 1964. Godard is a genius.

 

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So I recently did some photography work for my friends at Lucid FC

(Click the photo to go some website talking about it)

 

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turret